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Haute Couture – When Birds Of A Feather Don’t Flock Together


<img alt="Haute Couture – When Birds Of A Feather Don’t Flock Together red ostrich feathers took flight at Sotheby’s inaugural haute couture public sale in Paris ultimate week – which featured antique robes from Didier Ludot’s collection, the Balenciaga gown that plucked high greenback at auction where the whole lot bought out at triple pre-sale estimates—birds of a like feather had been spreading their plumes in sometimes phantasmagorical settings at high fashion Fashion Week 2015 in Paris and Rome.  

However birds of a feather don’t always flock Together. Given the escalating pressures to provide 12 collections once a year, plus a couture label, and perhaps your individual eponymous assortment, there is a development aloft to go off-piste, whereby designers literally escort the fashion flock to alight on new turf where they current their collections, quite than gaggle on the enormous 4 conventional catwalks of latest York, Paris, Milan and Rome. Outré? At The Moment, possibly, However possible now not for long, as Fashion labels compete for singularity.

In Truth, at the recently concluded high fashion Style Week 2015 Paris, Valentino advised the fashion minion house to his Roman seat. The trek coincided with the outlet of Valentino’s retailer in Piazza Mignanell, with designs celebrating the creative and cultural heritage that is Rome.

To witness the kaleidecope of high fashion from afar, one has no additional to move than a social intelligence platform to engage within the abundant global banter. Which is precisely what I did, through the lens of Netbase.

As The haute couture Paris week crosstab chart beneath finds, an diagnosis of potential impressions, which factors the probable attain of mentions posted, the experience had vital social media impression.

<img alt="Haute Couture – When Birds Of A Feather Don’t Flock Together Amongst 9 couture designers offering, Chanel etched the lead in social media, perhaps owing in part to Karl Lagerfeld’s generally complicated staging, this show built as a working casino from a bygone generation of aristocratic Riviera opulence. The gowns, as it have been, were largely obtained as a bit old-fashioned, if no longer pretty.

The spectrum was shifted Through every other octogenarian Model warrior, Giorgio Armani, whose Armani Privé couture exhibit – replete with iridescent material weaves and ‘70s Studio Fifty Four nostalgia – reaped a social media elevate 2d to Chanel. Narrowing the social convo gap, a youthful Lebanese designer, Elie Saab, eclipsed Dior’s social media potential impressions standing together with his tricky robes evoking lavish Byzantine themes, his fashions bedecked in heavy gold jewellery and gold tiaras.

Couture designers Victor & Rolf created a chasm between the princess-robe theme in evidence at a few of the displays with their Dutch portray inspired frocks, actually similar to framed folding artwork canvas ensembles. Rehung, these could be your wall sculpture.

While haute couture can have disparate narratives, where these days’s lavish labels do harmonize their birdsong is in social media.

To this social media Model analyst, that actual change is aloft within the as soon as rarified world of high fashion is evidenced By Using the winds of social media, now embraced as a essential mass in couture brand advertising to develop and Web new markets.  To wit, Fifty Seven% of the haute couture Paris Week 2015 discourse used to be captured By Using Twitter, followed Through virtually 40% on Instagram and YouTube. 

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